#all the things I joke about with lawyer fiction

[ri-writing]

OH

MY

GOD

This is the greatest fucking thing I have read this year. I don't even know how I found it. It's everything I have ever wanted.

Thank you, oh author. Both for making me laugh and for giving an explanation as to how they'd still get their billable hours in!

I finally had inspiration to write again! I watched a drama recently where the main male character was a lawyer and it made me think of how many days you'd need off a year as a Romance Main Character, you know with all the kidnapping and dramatic injuries... what if you could harness the insanity of romance plots to your benefit?

Also, I understand why so many characters are lawyers (dramatic courtroom scenes, pays well, implies intelligence, sexy suits), but it's still funny to me how often you see lawyers in romance.

[mortalityplays]

I love the practice of requisitioning, remixing and reworking books, comics, movies etc. through any means you like, but I hate hate hate the way so much vocabulary that used to be rooted in individual creativity has been taken over by this kind of fucked up deference to mainstream publishing and ip.

easy example: everyone calls the characters they work up for their projects 'OCs' now. that genie is out of the bottle, I'm not even going to try and cram it back in. it's universal terminology. but I do want to reflect - why is the default position to assume that when someone says 'my characters' they mean something derivative, unless they specify 'my Original characters'?

similarly, all character relationships are 'ships'. but what's wrong with that? you say, it's just short for 'relationship'. and you would be right, by merit of completely ignoring the fandom ancestry and common understanding of that term in order to win an argument. because you know as well as I do that 'ships' aren't 'relationships', they're hypothetical romances that the speaker is rooting for. so why do I keep seeing people talk about shipping their OCs? why is a hypothetical relationship entertained and enjoyed by the creator of the work described using fan terminology?

I have for real no joke seen people talk about their 'headcanons' for their own characters, in their own stories. that's not a headcanon babe, that's canon!!! that's YOUR WORK. moreover, why are we even talking about the canonicity of your personal original writing? this isn't the star wars extended universe, why are international franchise IPs setting the baseline for the relationship you have with your writing and the terminology you use to conceptualise it?

tbc this is not a 'fandom brainrot' post. because I don't think it's fanwork that's the root of the problem. I think it's the insidious creep of capitalism and the ever more draconian weaponisation of copyright law that has rewritten our capacity for talking about creative work so that it revolves at all times around ownership and precedent. there is a deep learned anxiety about describing fictional works as fictional properties, that echoes in our vocabulary as we constantly make clear what is owned and what is not, what has been established on the record and what exists in the realm of speculation.

the reason 'fandom brainrot' is such a compeling stand-in for this issue is that it's really just one step downstream from all that voracious rent-seeking behaviour by publishers. if the only things you ever read or watch are in the milieu of those franchise copyright lawyers, that is the understanding of fiction-as-property you develop. if you're not exposed to a broader spectrum of art and artists, living and dead, who talk about their work as work - as expression, as experimentation, as a personal process and as a shared space with their audience - you will quickly be alienated from your own creative practice by design.

the point i want to make is this: going off the beaten track, exploring outside the franchises and bestsellers and box office babies, is not just a matter of good taste. imo it is a necessary act of solidarity with artists who still live, work and speak as individuals. it's a healthier environment for you as an artist. you deserve a relationship with your own work, not a ship.

[laurellala-comics]

I've been having so much fun with my Ace Attorney comics lately but I've been feeling the pull to do original stuff again. So to ease into the transition, here is my (very first!) comedy zine. You may spot some familiar faces B)

Thanks for reading my goofiness! I'm including some nerd thoughts about zines under the cut

Zines are sooo cool and I assume most people have heard of them since this is tumblr BUT if you haven't! Zine is short for magazine (pronounced "zeen" it does not rhyme with vine). It usually refers to handmade pamphlets that can be created by folding and cutting a single sheet of paper, which is what I did, but it can be used for any sort of self made publication. The goal is to make something that can be reprinted and shared so mine is technically not in the spirit of that because of all my little interactive details but shh that's fine. Zines have been used in sooo many ways (Was Martin Luther's 95 theses not in a way the first zine (this is a joke)) but they are especially recognized as part of the punk movement as a way of fighting back against mainstream media and of sharing information around! It was a way to get around censorship and spread the word about social movements and political messages buuuut it has also always been used to share fun things, like music recommendations OR FAMOUSLY. STAR TREK SPOCK KIRK FAN FICTION (this is real and there are academic papers about this). Some of the earliest m/m fanfic was passed along through zines because they did not have ao3 back then! All they had was a typewriter and a dream! It's actually sooo silly, but I took a class in college that heavily emphasized these zines as leading to the fandom culture we had today, so they really did shape the world we live in today. Tumblr posts are like our own little zines that we share, with our own messages and thoughts and yes even hand drawn gay people...

Anyway, like I mentioned, in these fandom spaces you had queer zines that were about explicitly romantic and sexual relationships between fictional men. At the time, slash shipping was not the most common way to engage with fandom, but today it has become very mainstream and widely accepted amongst the fandom. But you know what queer behaviors are still not mainstream within fandom spaces, even within queer fandom spaces? Aro ace rep babyyyy. With that in mind, I feel like what is considered radical and abnormal these days in queer fandom spaces is to engage with fictional men (or any characters) from an aromantic or asexual lens. And so I am here to hold your hand and walk you through the wonderful radical world of imagining non-romantic scenarios with fictional guys. You can have so much fun with it and I think more people should do it. What if you stood in line at the bank and your favorite anime man was in front of you. What if you had to go in for jury duty and the guy from five nights at freddy's was there. What if you went to the library and spock and kirk were both there researching the history of zines. In a world that expects us to prioritize one normative romantic and sexual relationship as the big thing that will bring you happiness and fulfillment, it is radical to say "actually, i could probably still be really happy and fulfilled if i had some cool friends to hang out with and do mundane things with. And also what if those friends were fictional lawyers."

Anyway. Thank you to all the spirk shippers who worked hard to get us here, I will pick up your mantle and continue to push against societal norms but with fewer sex scenes this time around. Not that you aren't valid for that, this is just personal preference. The end. Go make a zine everybody.

[seikkoi]

ꜱᴜɢᴀʀ | dom!tony stark x sugarbaby!reader ( ᴄʀɪᴍᴇ!ᴀᴜ )

ᴘᴀʀᴛ ꜰɪᴠᴇ [1, 2, 3, 4] | ʀᴇᴀᴅ ᴏɴ ᴀᴏ3

There was nothing that could keep Tony from having exactly what he wanted—and he deserved a little sweetness in his life. All he had to do was keep from ruining you in the process.

content/warnings: 18+ minors do not interact. non-canon, non-superhero au, sub/dom undertones, slight emotional/verbal manipulation, obsessive + possessive behavior, age gap (reader described as mid-twenties, t.s as mid-forties), mildly dubious consensual situations, explicit mentions of alcohol and drug use, generally not for the light of heart, rough sexual content, reader described as petite word count: 9.8k

There isn’t any conversation surrounding Pepper’s visit, or the divorce, but it’s all around you regardless.

Random items disappear from the penthouse–a Pollock (your present takes its place), some throw pillows from the study, and a few Turkish ceramics you never knew existed. The phone rings far more than you care for. Tony has far more meetings than you care for. A bespeckled lawyer and his blonde associate nearly become housemates, spending hours behind the frosted glass door. Natasha makes a few appearances as well, which confuses you the most. You find the spice in her perfume too bold.

On her third exit in as many weeks, you question Tony on it. He absently traces patterns on your calves, seemingly not paying attention to you or the film on screen. 

“Should I be worried?” you hide your sincerity behind a glass of wine, twirling the stem between your fingers. The red liquid mirrors the motion inside, spidering against the walls.

“About Natasha?” he asks incredulously. 

“Yes,” you draw out, “and you–all of it, really.” 

“Now why on Earth would you be worrying about me?” 

You would love to point out the obvious and address the building-sized elephant in the room that says  ‘you’re recently sober and just got a divorce’ but the look on his face tells you it’s unnecessary. 

Tony finds a way to answer the unasked anyways. 

“It’s a shit ton of paperwork, and signing things, so it’s annoying, yes but I am fine. Scouts honor.” 

He kisses your hand and grins with all the confidence in the world. It’s so fucking arcane each time–close to magic in how it undos every worry and mirrors his gleam. 

You wished it had more permanent effects. Something long-lasting and memorable. Easy to spread over the evening and into the early morning hours, when he’s inconsolable in your arms. You could turn it back into magic words. Banish whatever miasma racked his body and go back to peaceful nights (because you had those at some point, right?).

Being able to ask the hard questions doesn’t mean shit if the answer’s always a dismissive work of fiction. You never learned what caused their separation, or sent ‘everything to shit’ as Tony put it. Not because you didn’t ask, no that question came the same night Pepper did.  Apparently it’s the same driver of every modern American divorce–money. Tony summarizes the event as a fatal disagreement over corporate shares, though like always you feel you’re being told an official story. Clean cut with all messy details chopped away. 

“You don’t have a signature stamp at this point?” you joke.

“Oh no,” Tony’s hands brace your ankles to pull you closer, “ every squiggle needs to be authentic and fresh.”

“Right, how could I assume anything less.” Your eyes roll but you let your legs drape over his lap. 

“Seriously, I’m doing fine–things will calm back down soon.” A gentle squeeze drives the point home. 

A thought crosses your mind. An insecurity, really, but one you haven’t let go since meeting Pepper.

“If it’s like, I don’t know,” you hesitate under Tony’s raised eyebrow, “–I can head back to my apartment if it’s too much.”

Stark Industries was still footing the bill even though you spent less than 10 hours there in the last two months. There’s a fear in overstaying your welcome, or whatever it is you were doing here. Either way, you figured it was less than ideal to have your girlfriend around during a divorce. 

“If what’s too much?” 

“I don’t know, if you need your space right now or–” you answer exasperatedly.

“Honey,” he gives a hearty laugh, “if I ever start asking for space, call a doctor.”

All resistance becomes futile.

You keep your apartment (for unnecessary security), but more time lapses between visits. You issue a long overdue farewell to bartending. Even being driven, the commute to that side of town is hellish and the whole thing got more pointless with each day. You drank in the fruits of this life, but not without a tiny bit of unease. It’s unease that you bury down under all the other feelings. The affection, the simplicity, the serenity. So you swap mixers for paintbrushes and solitude for the man you love. 

Other subtle changes require a quicker adjustment, but you’re getting dangerously good at adapting. With Tony’s birthday past, you recognize a pattern to Harley’s visits. Every three months like clockwork. You begin to anticipate them well enough, and start appreciating his occasional presence during your early morning tea. By his third appearance, you brew two cups.

On the first visit he barely utters a word. You were ready for some witty insult that never came, and offered him a cup in silence. You want to ask why he arrives so early just to sit in his father’s kitchen, but opt for peace instead. 

Once Pepper’s placard is gone in the parking garage and Natasha stops showing up (at all hours of the day, atleast), he’s there a second time. 

“How he’s doing with the,” he trails off, peering at you over an empty mug as the sun starts to break. He doesn’t need to motion at the empty space for you to pick up his meaning.

The official story is dancing on your tongue. The one you’ve told two times over at this point (Jarvis, Natasha). He's perfectly fine, better even. It was a piece of cake then, but now you can’t seem to look Harvey in the eye and speak in half-truths. 

“Honestly,” you sigh, “Good–not good, I don’t know.”  You were dying under  the irony of it all. Consoling Tony in the darkness of morning and then watching him make million dollar deals by noon. You don’t know how he’s managing any of it, and if any of this qualifies as okay. 

Green eyes blink slowly through an overgrown fringe. Barbers were clearly scarce in the last three months, wherever he spent them. Exhaustion forces a yawn before he speaks again, pinching his nose. 

“Figured as much.” Harley stands for the sink.

He goes through the labor of washing the ebony cup, a rare quirk amongst the obscenely rich. You’d learned they are very reliant upon their quiet servants. You wondered if he did it out of modesty or good manners.  

“Do you know why they separated?” If he was in the mood to talk about Tony, you weren’t going to pass up the chance.

“Uh, something with the company, her share or whatever. Always about the money with them.” he answers casually, tossing a look over his shoulder. 

It’s genuine enough, but all too similar to the rehearsed lines. You half-expected him to call you nosy. 

“No real loss there.” Harley adds, a hint of disdain in his voice

“Not a fan I take it?” The flimsy tag finally crumbling under your ministrations.

He chortles as he slumps back into the bar stool. 

“Pepper can be, uh,” A yawn and an eye rub take precedence, “overbearing, yeah that’s a good word for it.”

“Yeah, can’t imagine that worked well for Tony.” You murmur into your tea.

“Oh it most definitely did not.” Harley laughs again. “Not for a guy that does the opposite of whatever you tell him.”

His laugh is infectious (like father like son), and you smirk even though instead the mental picture makes you cringe. A lull passes between you. Outside, morning traffic begins, trickling upwards to interrupt the quiet. It cues Harley to get back to whatever it is he comes here to do, while you move on with the day. 

As an advantage of all the free time, you get to invest more time in your estranged friendships. Being around old friends turned out to be surprisingly good. You had anticipated more awkwardness, but there was something comforting about not having to wear a mask for once around someone besides your boyfriend. 

At this point, you slowly filled in a few close ones about your relationship with Tony. Clearly you were in this for the long haul, and keeping things under wraps was becoming futile. The general consensus was positive, thankfully. Obviously, that’s due to a great deal of details being omitted. The act left a sour taste in your mouth. Not from the content–how easy it was. You hated to repeat such behaviors, but it was less complicated this way. You wouldn’t have to labor through justifying your relationship, or hear concerns you didn’t already have. 

Tony’s reception was, oddly, less positive. He didn’t care much for your old ‘starving artist’ clique. He thought you should take advantage of his access to New York’s greatest–the real pioneers. It took little arguing from you for him to drop that thought entirely, and he conceded to just be happy to see you happy. 

Like good friends, they tease about your newfound love. One asks when they’ll get to meet ‘Mr. CEO’ and you have to brush it off casually. You like your worlds better separate. 

A sweltering autumn soon becomes frostbitten winter. This gives you less light to work with, resorting to find shuddering shoulders in complete darkness. You don’t think it’s worth searching for warmer pastures or a simpler life. No, you order a cashmere robe and get used to seeing by touch. 

Late nights in the tower turn out to be a great place to hone such skills. The halls are narrow and void of any windows, so you ghost the pads of your fingers around for customary shapes. A cushioned nook and a neglected book lull you into a nap one evening and you wake past the sunset. If you were able to sleep so late undisturbed, Tony must be preoccupied. You planned to tiptoe into the kitchen without a sound, but your ears catch words murmured behind the glass. The door is cracked slightly, just enough to let a streak of light breaks across the hardwood floor

“–fifteen, ten, maybe if we’re lucky.” 

The bespeckled man’s words are measured, precise as usual. You can almost picture his lips barely parting to utter syllables behind round-trim frames. 

“Jesus christ–the fuck am I paying you for? Because I am paying you, like a metric shit ton” 

At Tony’s voice, you press closer. 

“I’m not the idiot getting a divorce.”

“Okay, okay, let’s just stay focused here.” Natasha raises her voice above the two men, and you hear a chair drag across the office.

“Uh-uh, don’t think you’re getting off scot free–we wouldn’t even be having this conversation if you did your job a tad better too.” 

“I will say it was ‘lot easier to spread the financials between two people.” 

Social norms concerning privacy start to get to you, urging your feet to pivot and take you back upstairs. Your escape goes undetected, and you seek refuge in the shower. 

You wash the day away under warm jetstreams. Part of your mind is stuck replaying everything, wondering how he was handling it all, trying not to indulge in the urge to check the sink drawer. In a flash, you toss the thought away. It’s easy to not overthink at this hour. Especially when coconut vanilla soap tugs you back towards exhaustion. You make it back out to the bedroom, where you find Tony removing his shoes at the end of the bed.

He smiles at the crack of light from the bathroom. Tony’s days were getting longer while the rest of the hemisphere’s got shorter. He would say he missed when life was simple, but he can’t remember such a time. Life growing up was anything but simple, then the older he got the more it sucked out every ounce of his energy. Everything after became, well, everything after.

Picturing a new future keeps him going. One in a coastal city, something global like New York but much, much warmer. He fights the urge to picture your silhouette amongst the waves. It’s not guaranteed. He might find himself in this dreaded cycle all over again. Then his coconut scented fantasy would be tarnished. 

No, it’s better to cherish the present with you. Like right now, watching coconut scented water droplets descended down your legs and shoulders. Even though he knows he won’t be here long. Truly, he’d wish you weren’t awake,  knowing he’d have to leave soon.

“Take a picture, it’ll last longer.” You teased, abandoning your towel as you pulled the dresser open.

He’s easy to rile up, and you know exactly what you’re doing–bending over slowly to pull your panties above your hips. You can’t help it when he stares like it’s his first time seeing you, every time. 

“Please don’t tempt me.” 

Tony’s voice is low, barely above a whisper. He’s unmoving on the edge of the bed, hands braced beside his thighs as his eyes follow the movements of your hands around lacy black fabric. Truly he’s perplexed. Who knew watching someone get dressed would be just as much of a turn-on. Or maybe it’s just you.

You toss one of his faded band tees on, and he thinks this might actually be better than any sun-soaked dream (it’s definitely just you). 

You cross the bedroom, the loose cotton brushing against your skin with each step. As you approach, you snake your arms around Tony's neck and straddle his lap. His large hands ghost up the smooth skin of your thighs, leaving a trail of warmth as they make their way to your back. The moment your skin touches his, Tony’s eyes lock onto yours, but you can tell his focus is elsewhere.

“What are you thinking about?” you ask softly, raking your hands through brown coils.

You assume his mind is still on the conversation downstairs, but the grin spreading on his face says otherwise. His lips move to pepper your exposed neck with kisses, still smiling.

“Really wanna know?” 

“Sure, hit me.”

The ghosts across your veins turn into full blown grazes. 

“You, in a bikini, drinking margaritas somewhere with no extradition laws.” 

You chuckle at the notion and swat his shoulder when his teeth find your pulse point. 

“Hey, you asked,” he laughs into your skin, gripping your hips tighter, “besides it’s your fault–’smell like I’m damn near there already.” 

Tony’s mouth turns hungrier and hungrier, moving feverishly across every exposed inch until the flesh is tender and you're panting in his lap. It’s just encouragement, so he doesn’t pause for a moment as his fingers slip behind your lace. They work at the wetness already ruining the fabric, dragging it across your length and making your shiver. 

Okay, sure, maybe another period of minimal alone time was getting to you, maybe. Sue me, you thought. Honestly, Tony should be more grateful to have such a willing partner–and you told him as much. Unfortunately, this elicited a need for Tony to instill a sense of gratitude in you.

In the next second, you're tossed onto your back, wrists pinned tightly above your head. His other hand pulls your panties down your legs and you try not to make a joke about the futility in getting dressed. Instead, you soak his weight against you, the roaming hand between your thighs and teeth on your neck. 

Marking you is the obvious goal-sucking harder with each breathy whimper. He wasn’t kidding earlier, either. You smelled good enough to devour and he intended on doing so. His danced along your folds, a cufflink scratching the supple skin at the top of your thigh.  They are never anywhere long enough to give you any real pleasure. Just to take more breath from your lungs and feeling from your legs. 

You squirm against vicuna dress pants, trying to gain more friction on his hand. Instead of catering to your needs, he stops all together and the noise you make is almost pathetic. Who are you kidding, it’s fully pathetic–it couldn’t have been over two weeks, and pleas can hardly form on your tongue for more. 

Tony reels back with a smirk that flips your stomach. A scheme is brewing behind darkened pupils. His eyes stay on you as his hand returns to your center, slow and heavy over your clit. 

He doesn’t relent when your wrists strain and hips buck against him. No, a tighter grip and knee over your hip hold you steady enough for his fingers to work faster. You want to chastise yourself for how much you missed this–then two fingers slide into you and there isn’t room to think of much else.

He moves quickly and silent, like a serpent, finding that perfect rhythm that makes your eyes flutter. Your soft moans fill the quiet space. He’s too steady, not changing a muscle as your peak comes closer. The most desperate you get, writing against his palm to get even one extra inch of depth, the slower he moves. 

“Did you have fun sneaking around?” 

Your eyes flutter open in the dim bedroom, Tony’s sly grin shining above you. It cuts straight through the fog of pleasure taking you over. 

“I don’t know what you’re–” you start to bluff. 

“You’re not very sneaky, you know? Or a good liar. That’s a particular skill set that you, my dear, sorely lack.”  Slow and teasing, he slides two fingers back into you.

“Okay, okay. Maybe I was eavesdropping a little.” He finally moves with purpose again, but of course not enough.

“A little? Let’s not start underrepresenting things, hm?” 

Before you can debate him further, he withdraws and you think you might honestly cry if this continues.

“Okay, point taken, would you please stop torturing me now?” 

“Now, why would I reward bad behavior?” he asked, lowering his gaze.

“If it helps, I wasn’t trying to.”

“It doesn’t.” 

His palms grip your hips, flipping you onto your stomach and lifting your waist upwards. The sudden movement leaves you breathless, searching for balance on your forearms until they’re pulled behind your back. 

“You know exactly which nerve to press, don’t you?” he breathes into the base of your neck, chest flush to your back as he hands work at his zipper.

How ironic, considering he spends the next hour tuning your body like an instrument. Knowing exactly where to press, where to ease off, until you finally unlock, bare and moaning into the mattress.

Afterwards, you fall asleep to the steady beat of his heart. 

You’re half way to sleep when Tony slinks out of your arms. At first, you don’t bother stirring. Then, the soft draw of the dresser catches your ear. 

You flip over onto your stomach to get a better view. You watch Tony’s shadowy figure attempt to quietly dress. For a rare sight, he abandons the tailored suit for dark Levis and a t-shirt. It hardly looks like him, in the best way possible (ignoring the obvious question of where the hell he planned on going in that. Less larger-than-life, more real. This, now this was someone you can imagine running into at the grocery store. The sharp edges of his suits always added a degree of gravitas to everything.

“Where are you off to?”

“Going to see a man about a horse.” 

He leans down for a bright smile and a quick kiss before he leaves, and you let sleep suppress any thoughts about what that could possibly mean.

You awake to a sun that has long outran the horizon. The sheer curtains were already pulled back, with the smell telling you Jarvis made a feast for breakfast. Tony’s side is empty. Which is no surprise there, but you don’t expect him at the kitchen table. 

He grins behind a newspaper as you approach. Jarvis is busy with the espresso machine, muttering curses under his breath. 

“Tell me, what are your thoughts on cyclamen–oo, or actually, narcissus, yeah, that’s better.” Tony asks like you've been having some sort of conversation before five seconds ago.

Jarvis clicks the tamper in with a satisfied click as you stare back confused. You’re two blinks away from falling back asleep and desperately craving something stronger than green tea. 

“What are you-Is-Are those restaurants?” 

“Oh, morning ma’am. Shall I prepare you a tea, perhaps breakfast?” Jarvis turns at the sound of your voice, wiping damp grounds from his hands.

“Good morning, but no, just some coffee, please.” You try to sound natural. It’s weird giving someone else orders. 

“Nope, flowers. We could do something simple like a peony but I don’t think that matches the whole vibe with the satin garlands.” Tony continues. 

“Tony, hon, I have no idea what you’re on about right now.” you groggily slouch in the chair beside him. 

“We, my dear,” the newspaper is folded and plopped onto the table for dramatic effect, “are having a Christmas party. The proverbial ‘we’ in this situation being the company, of course.” 

“A Christmas party?” you muse with a laugh.

“For tax purposes, a gala. For my purposes, and therefore to make it fun, it is indeed a party, yes.” 

Espresso warms your veins as you listen to Tony ramble through plans for catering, guests, decanters and a whole bunch of other shit you can hardly keep up with. Good thing that responsibility falls to Jarvis, who jots away on a worn notepad. Once your eyes fully open, the thought starts to excite you. Your yearly festivities normally boiled down to a bottle of chardonnay and some loosely Christmas film like Die Hard. “Plus, if I auction some art, it works out even more.” He punctuates his brilliant plan with a bite of a muffin. 

“That’s not like a massive trigger for you?” 

High-volume social events dropped off the radar recently, for good reason, you assumed (not that you minded a break from fake smiles and cold handshakes) . Instead, Tony dragged you along to more intimate dinners with whatever broker or councilwoman he needed to charm. Your role as plus-one never went anywhere, but doing so at Tony’s your home would give you more confidence. 

“What are you, my sponsor?” he teases but you're less amused at the thought. 

“You don’t even have a sponsor.” You know so, because Tony believes Narcotics Anonymous is a, quote, ‘sad-ass glorified tea party’. 

“I have Jarvis.” He’s completely serious, and Jarvis hides his laughter behind a stack of plates.  

You don’t want to point out the obvious cognitive dissonance. That a man who spends his nights in petrified somnolence might crack under the pressure of dozens of inebriated colleagues. Not now, in a moment of peace. Not in front of Jarvis. You’re not sure how much sound slips out into the hall.

Tony watches the worry creep over your face from the edge of his newspaper. With a sigh, he abandons it again.

“Look, all you have to do is look pretty–which is no sweat for you, maybe drink a few apple cider cocktails, and relax. I’ve got everything else perfectly handled.”

He gives you a look, both reassuring and decisive. It’s a simple message meant to be taken without debate, ‘trust me’. 

You get one more peaceful morning drinking tea in the dark with Harley before the holiday season.

The event overtakes your life from Thanksgiving onward. You really don’t know how this sudden festive fervor spawns, but it slowly creeps into everything. From the elevator music, to miniature elves by the door, to candy canes everywhere, and more Christmas ties than days in December (you can’t be sure he’s not switching them multiple times a day). 

You weren’t a total Grinch, not by a long shot. Tony just so happened to be creeping into that weird overly festive zone reserved for suburban moms and kindergarten teachers. 

“Tony, what’s all of this?”

Vivaldi plays faintly on the record player. There’s a delicately placed mistletoe just off of the elevator, accompanied with a haphazard trail of roses leading out onto the balcony. You navigate through a candlelight kitchen juggling a heavy box of resin. 

“Tony?” you call out again once the box makes contact with the counter,

“Out here!” 

You follow the voice and rose trail to the balcony. Unsurprisingly, he’s donning a god awful Christmas sweater, grinning and pointing to the wool like it’s runway fashion. A small table holds two covered silver platters, and a tall bottle of champagne rests in a bucket of ice. It’s the kind of overtly romantic display you’d gotten since night one, but it never fails to sink your breath straight in your heart. Something about the way he’s standing there, beaming like a nervous, lovestruck fool, tells you this isn’t just a normal gesture of affection.

Still, your lips part to thank him, but he stops you instantly. 

“Just wait–” he pleads, “I got like thirty minutes of practice into saying this and I can’t fuck it up.” 

His voice is rushed enough that you believe. Clearly the words were threatening to jump out of him. It sets you a bit on edge, trying to anticipate what this was about. You indulge him anyway and nod. 

Tony crosses the balcony to take your hands in his, thumb brushing over your knuckles. 

“Okay, I know things haven’t been copacetic around here. And I know I’ve asked for a lot–more than I ever thought I would–and you know sometimes it feels like I’ll never be able to return what you’ve given to me, but I swear I’m going to make this worth it.” 

He squeezes your palm, tired brown eyes searching yours for something, any sign that his words meant a single thing. It’s a fast-winded speech that makes you wanna laugh at the irony. Tony, the man who’d move the stars if they had a price tag, somehow feeling the need to repay you.  Yet his voice is raw like a frayed nerve. Exposed to the cold winds whipping against the tower glass. 

“Tony, you’ve made it more than worth it, everyday.” You smile, though it’s worth wondering what’s driving him to say all this. The words ring true regardless.

“Not nearly enough,” he says softly, “but I’m going to–I’m going to give you the world.”

In that moment, you see it: the weight of everything he’s been carrying. Your ribs seem to tighten inside your chest. That unspoken fear you’ve both been trying to avoid–it was far easier twenty seconds ago when you thought it was yours alone. You realize now that the fearless man you saw in fact was scared of something (losing you, primarily). Yeah, you comforted him through nightmares, but even then he managed to carry an aura of control.  

This wasn't about  holding onto the life you’ve built together, the one that’s felt so fragile lately. And for the first time, you see how much that matters to him, too.

He starts to say something else, dropping your hands. His fingers fiddle behind his back, seemingly nestled in his back pocket. He stares like he intended to say something else, lips parting and closing right back. In the next second, he seems to shift gears, pulling you into a hug. 

You welcome the warm embrace, as the chill has started to gnaw at your bones. He plants a kiss to the top of your head, and you want to stay in that feeling for the rest of your life.

Sadly, he does eventually pull away to admit dinner on the balcony would be quite miserable, and the two of you move inside. 

You could spend the rest of the evening overthinking about what all that meant, but you don’t bother. Why go through that mental labor, when instead you could drink $500 champagne, carefree while your handsome boyfriend flirts with you like it’s the first date. 

You don’t think about it then, or later in the night when your legs are pressed to your chest and you can’t recall a single thing he said. You focus on what he’s saying then–filthy words about who you belong to, and exactly where you belong–a whimpering mess underneath him.

Even when it turns possessive (more so than usual), when your throat is littered with marks and his hand stands to leave another on his hip, you don’t think of it. But it’s the only thing on Tony’s mind. When another orgasm rips through you, all he can think about is how much he needs you. He whispers ‘you’re mine’ over and over and over as you fall apart just so your broken moans can still echo–so he can hear just how true it is. How could you, with such a dutiful guide at the helm?

Afterwards, when you’re drained of every ounce of life, it still doesn't bother you. You don’t wonder if tonight might be another night he slips into plain clothes and disappears until sunrise. You can’t muster a single thought as his arm slinks around your waist to pull you closer. 

You simply close your eyes, and let sleep take you. 

Eventually the days tick by to the gala, and you’re somewhere between impressed and overstimulated with all the ensuing holiday glamor. 

Though, you can’t say he doesn’t go all out. 

The first floor of Stark Industries is transformed from a cold minimalist space to Ebenezer Scrooge's worst nightmare. A makeshift stage sits at one end, complete with enough tinsel to suffocate a horse and twinkling garlands. Piles of fake snow anoint the corners, and a particularly large one sits beneath a 12-foot tall Christmas tree in the middle of the lobby. The open bar even serves drinks in frosted holiday glasses. He even has the guards wearing reindeer ears. 

By ten p.m. the vast floor seems smaller than a shoebox, packed with guests in evening gowns and tailored tuxedos. Initially, you’d planned on wearing a new piece for the gala–something to make the overwhelming festivity Tony demanded. Once it came time to get dressed, your eyes caught the sanguine dress. You hadn’t gotten the chance to wear it since your first date. It had felt too exquisite for any other occasion, but for some reason you were drawn to wear it tonight. 

You wish you could say Tony had a good reaction–or a reaction at all. From sunrise until the doors opened, he’s caught up in planning and preparations. Matter of fact, you were two hours into the gala and had only seen glimpses of him shaking hands in the crowd. It takes away from the expected familiarity. You imagined this night to be simple, easy for you to blend it with Tony on your arm, in his home your home. Instead, you wander like a lost gazelle, feeling every pair of eyes on you. You want to blame the dress. Revealing and bright red.

In the blurry swarm of faces, bright auburn stands out. Natasha wouldn’t be your first pick, but she’s the only familiar face and you need a respite.

You squeeze in next to her at one of the corner tables. The spice of her perfume permeates your nose but you can look past it for the moment. She pays you no mind at first, legs crossed and head turned to the crowd. You don’t mind one bit. It’s quieter towards the back, and you have no issue with it staying that way. 

Natasha sighs deeply, almost in boredom, maybe annoyance, but not with you. 

“I don’t know how you stand him.”

“How do you figure?” you respond absently, picking apart at a stray piece of tinsel.

“One of the richest men on Earth-I know he’s got the ego to match it.”

“You’d know better than I would, wouldn’t you?” you answer. You’d gotten the sense Natasha and Tony back way further than him and Pepper a while ago,

“Touche, but I’m not dating him.” she shifts to take another sip from her glass, “though, I’m not really sure why you are.”

“What do you mean?”

“I mean, do you really love him, or are you just after a family fortune?” Emerald eyes points like knives, her tone blending from casualty to scorn.

“W-what,” you stammer, “Of course I love him–Tony pursued me.”

“Please, he’d pursue anything with a pulse,” Natasha chuckles, “and relax, I’m just finally getting around to doing my due diligence.” 

“Your ‘due diligence’ is being a cunt?”

“Ooh! I see you’re a feisty one–you did sit here after all, you know.” she muses.

“Just needed a break from the crowd,” you mummer, rising. 

“Stay then–relax, like I said.” she gestures towards your now-empty seat. When you sigh and retake your place, she smiles. “I like you, you know.”

“We’ve barely spoken.” you declare, a dry chuckle spewing alongside. 

“That doesn’t mean I don’t know a smart person when I see one.” 

“Smart?”

“Smart decisions, going out with Tony, not screwing that up, though I’ve been told you’ve come close a few times.”

“Who–”

“This isn’t an interrogation, like I said, I like you–I don’t really care what happens between you two.”

“Then what is this?” you flag the nerdy tuxedoed waiter for a glass of water. 

“You said it yourself, we’ve barely spoken. My job is to keep Tony’s business running smoothly, and that’s become a lot harder since he won’t make a single decision without considering the ‘y/n’ of it all.” 

You scoff, unimpressed. “We don’t talk about his business.”

“Oh, I know,” Natasha remarks, “A bartender has no idea how to run a billion dollar corporation, and even less of an idea how to advise one.” 

“This is the part where you tell me I have no business being with him, right?” The waiter drops off a tall pitcher of water for you both. Once your glass is full, he passes along a message that Tony’s speech starts soon. 

“Dear god no,” Natasha laughs, “I imagine you’ve heard that enough–and he’s much more pleasant since you came around. Besides, you’re living the dream.” 

“Is that so?” You have to give a laugh of your own (considering you had a bit of jealousy buried for her). 

“Oh yes, filthy rich, live in a penthouse, never work another day in your life, loving husband–maybe not my dream, but still a dream.” 

You don’t know if she’s trying to be funny but your next laugh is genuine, and she joins in.

“What is your dream, then?” you question.

Natasha’s grin stiffens, surprised. Contemplation passes for a second and you worry that you’ve underdone the last three minutes of camaraderie. 

“Ballet teacher–but that stays at this table.” She gives you a matching pointed look.

“My lips are sealed.” You do try not to giggle, but it’s odd to imagine her frigidity in a warm lit studio surrounded by tutus. 

“Did you mean it, what you said about Tony? That things are...okay?” Natasha asks, referring to Tony’s sobriety. It’s weird how everyone dances around it, especially someone so usually straightforward as her. 

It was weeks ago when you parroted that claim. And you only call it that because the question annoys the fuck out of you. It’s entirely subjective, and you give in to the optimistic look in their eye and tell them what they want to hear. He’s fine, better even.

Maybe it’s because she’s being nice, or because you already gave up this facade with Harley, but you can’t be bothered to pretend you know what’s going on with him all the time. Besides, clearly you weren’t doing a good enough job for her to ask you about it again

“I want to say yes, but I don’t know, I guess?” you admit, staring into the crowd. 

Natasha’s mouth parts to speak again, only to have the microphone’s feedback interrupt her. The host–some Nobel prize winning chemist Tony invited to pull donors–clears his throat before starting his introduction, and the noise draws to a lull. Natasha excuses herself, presumably to find Tony before his speech. You decide to stay at the back of the lobby, with a good enough view of the stage. 

Supposedly this entire sordidly festive affair had a true business purpose, some big announcement Tony was making on the ‘future of the company’. He didn’t explain much more than that, and you’re certain the technical logistics were beyond you anyway. 

After a long, boring welcome, the mic is passed off to Tony. It’s the first time today you’ve been able to see him fully–draped in a jet black tuxedo and bright red bowtie. 

It whines again in his grip, and Tony pauses once the cheers die down, glancing at the expectant faces below. Thick cards press into his palm, each written meticulously inked by Natasha last night He clears his throat, glancing out past the lights into the crowd. He hopes they can’t see how heavy the stillness starts to weigh on him like before. The sudden quiet, all that attention. Including yours, somewhere out there. His heart stalls at how must look to you up here. Larger than life probably, or maybe you weren’t looking at all (he hopes you aren’t). A hundred odd pairs of eyeballs, and he hides from yours. 

Tony knew what he had to do, and was quite confident in his choice. But he can’t risk looking you in the eye while he does it. Ironically, his decision had very little to do with you, and everything to do with Pepper. The edge of his mouth still twitches. 

“Tonight…” he starts, turning the twitch into a warm smile, “…I’ve asked you all to be here in celebration, to celebrate Stark Industries, and talk about the future of the company,” He clears his throat, rolling his shoulders as if trying to loosen some unseen knot.

There’s a small, brief ripple of confusion among the front of the room, murmurs. Something shifts in his expression—just a flash—before his eyes catch something and harden. A gesture is made to the guard at the end of the stage. His hand tightens around the mic.

“To keep things transparent,” he says, stuffing the cards into his pocket, “the real reason I threw this party, asked you all to be here, is because I want everyone to see how much this means to be.”

Your ears perk up. Natasha swears under her breath, glancing at you before sharply leaving the table, tapping away at her phone. Tony can’t hide from your gaze anymore, and he finds your confused face in the back corner. Before you think about a path to escape, the crowd follows his attention, taking their eyes from the billionaire to the nobody fiddling with tinsel alone.

“I want to celebrate the love I have for this woman, and take this opportunity to share it with everyone.” 

What the hell is he doing?, you think. He can't be doing this here, like this. 

“The truth is,” he pauses, feeling his phone buzz off the hook (most certainly Natasha telling him to stop), “I’m getting married, and Stark Industries will be welcoming a new partner in its operations.”

The room erupts in a chorus of oos and awes, all to the tune of your racing heart. It takes you a second to process. He means getting married to you. You never even talked about marriage, the future, anything like that. Yeah, maybe in passing the idea came up, but at no point did you accept a marriage proposal. 

Everything feels nauseatingly blurry after. Random individuals come over with their congratulations, while half the crowd stares and the other half still bothers to listen to the rest of Tony’s speech. It’s a bunch of nonsense about restructuring and profits, and you’re too confused, pissed, and too fed up with fake smiles to bother standing around to listen. 

You suffer through two more superficial conversations about the marriage you were only made privy a few minutes ago. Finally, you escape to the restroom. You find an empty stall to hide in, trying to process what was going through Tony’s mind.

He couldn’t be serious, could he? This wasn’t real–it was some ploy or tactic. He didn’t genuinely intend to marry you. You didn’t like to think of the long-term for the same reasons you didn’t think about the short-term. This was unpredictable, you learned that. You learned to be okay with that. You could soak in the pleasures indefinitely without ever worrying about how it might all end. This, this brought it into a sharp focus you weren’t ready for. 

You’re not even certain he’s fully divorced yet. 

Once your palms finally dry, and the threat of a panic attack fades, you step out of the restroom. You don’t even know what to think, and the sterile walls weren’t helping. Glancing back toward the gala, you spot Tony scanning the room—until his eyes find yours. You don't hold his gaze long; instead, you turn sharply toward the elevator. You hear your name faintly called from somewhere behind, but you keep moving down the hall, ignoring it.

He breaks into an awkward jog to catch you. You keep your eyes forward.

“[Y/N], look I know this wasn’t what you were expecting, and I can explain I just need–” he starts,

“You’ve lost your fucking mind, Stark,” Natasha heels stomp angrily down the hall, stepping in front you to point her finger in Tony’s face, “what the hell are you doing?”

“Alright, alright, not you right now–cut it out!” He smacks her hand away flippantly, “I’m not entirely sure you and Matt haven’t been drinking the kool-aid either.” 

Tony huffs and straightens his bowtie and you step back from Natasha’s heat. Behind the three of you, someone gets their hands on a karaoke machine and a terrible rendition of Santa Baby follows.

“The whole point of this bullshit was to go public and get out of this shit so explain to me how this gets us anywhere closer to that?” She grits.

Tony throws his hands in the air, “Maybe it doesn’t, but your dumbass plan wasn’t any better.”

“You think marrying her is going to help you? You know I was joking when I said that, right?” 

Suddenly, a spotlight seems to beam over you. Neither party stops their death glare to fully acknowledge you. That wasn’t a proposal–you were just some pawn in their game.

You don’t even know what the hell they’re playing for.

“This is a great time to remind you who signs your checks.” 

Only then do her eyes bother to glance at you. 

“This isn’t gonna end well, and you know it.” She concedes, still stern. After that, she stomps back off into the crowd. 

Tony turns towards you, but you're already back at the elevator, watching the buttons finally reach L.

“[Y/N], please–” 

The doors ding open and you don’t stop to hear anymore. Despite your feverous attempt to close the doors, Tony makes his way inside. The door just barely misses his coattail, to your annoyance.   

Even worse, and completely on par for the evening, the jingle bells elevator music plays the moment the doors shut. 

A hard, awkward beat passes. You’re pinching the bridge of your nose, sparsely emptied of any more energy for this night (mentally or otherwise). 

“You look fucking stellar, by the way, love that dress–”

“Tony.”

“Right, you’re right, sorry.”

Neither of you spare another word from the elevator to the bedroom. Tony follows behind, closing the door softly as you toss your earring onto the dresser. You’re waiting for him to speak again. Explain, deflect–hopefully just explain, but he doesn’t. He sits at the end of the bed, eyes trained to you in the mirror. 

“Why didn’t you ask me? Alone? Before today?” you sigh, “

“I wanted to, I was going to, the other night on the balcony I just–” he answers quickly, but trails off in a way that has you turning to face him instantly.

You don’t doubt that for a second. Truthfully, the level of effort and random heartfeltness of the night gave you some clue. But, when it never came you just chalked it up to Tony being Tony. Painfully romantic in most conditions. 

“You just what, didn’t want to?” There’s anger, though you know it's hypocritical. 

“No I just,” he exhales, dragging his fingers through slicked back hair, “I knew you’d say yes.”

“You knew I’d say yes? What the hell does that mean?” Your necklace joins the rest of your jewelry with a loud clink. 

“This is coming out all wrong–”

“You think?” The six inch heels are the next thing to go, throwing haphazardly in the closet. Tony rises to cut you off in front of the door, eyes pleading for understanding you’re not sure you have. 

“I saw the look in your eye, I’d done so much to make sure you’d say yes in that moment because I needed you to–not because I wanted it and that wasn’t the way it was supposed to go.”

“You don’t know that I’d say yes.”

“You would,” he says with that practiced charm, all sunny but hollow. A trademark Stark move—confidence teetering on arrogance. When you hesitate, he’s ready with another word, a gaze intense enough to hypnotize. “You know you would.”

You laugh, looking away as if it’s absurd. “Are you really so sure?”

His hand slips into yours, gentle but firm, thumb brushing across your knuckles in a way that makes it seem like he’s talking to you, only you, and not the thousand voices in his head screaming at him to get this done. 

“I know you’re scared, but” he says, leaning into your warmth. “Don’t leave me hanging here, please.”

“You sound so desperate, it’s kind of sad.” 

But there’s a softness to your voice now, a hint that he might be getting through. For a moment he was worried he wouldn’t be able to get away with this again, that you’d learned all his tricks since the boutique. 

It’s enough of a crack in your resolve for him to keep pushing. He slips closer, voice low. 

“Look, I know I keep asking a lot of you, but, There’s a pause, just long enough to let the ache in his voice sit, before he adds, “this could fix everything, everything can be okay.”

There’s a sliver of doubt in your eyes, and that’s what he clings to. 

“And when was the last time everything was okay, Tony?” You watch him in the bureau’s mirror. 

 “It could be. All I need for you to do is say yes, so I can fix this,” He squeezes your hand, the hint of desperation all but veiled now. 

And when you finally exhale, when that flicker of sympathy slips in, he knows he’s won.

It’s good enough. Better than he hoped, honestly. The relief slides into him like a tonic, loosening the tight lines in his jaw. He keeps his hand on yours, knowing the warmth of it will serve to distract from the creeping dread, from the hollow pit that’s been widening ever since the stakes got so high he couldn't see the top of them.

For Tony, this is all still just a means to an end. One step closer to true liberty and the life he was supposed to have. If he had to lie and disappoint–cheat and charm, then he’d do it. It would be worth it. In the end, the sum of his achievements would outweigh his sins.

He reminded himself of that a month ago, the night before he decided to have the gala. When the bedroom door closes, a sigh of relief escapes. He was lucky that you didn’t catch the conversation with Matt and Natasha in full. What he had in the works was sensitive, and he couldn’t have that ruined by anyone knowing the details in advance. He couldn’t lose you again, not when he needed you most. 

There is a shred of guilt as the elevator whirs down to the garage. You’re probably thinking the worst, understandably, but there wasn’t anything he could do about it. Only to pray his love was enough to placate you for now. 

Especially when he doesn’t even want to fucking do this. Each day seems to come at the loss of his autonomy, another suit on his payroll telling him what’s best for his life. It’s more deplorable when the people closest to him come up with the shittiest ideas to fix this. He can truly thank Pepper for his recent migraines (and a bunch of old ones). Filing for divorce was quite a move to try to get what she wanted, and throw him to the mercy of the Securities and Exchange Commission at the same time. If you listen to Matt, Tony’s mere minutes away from a cold cell. If you listen to Nat, Tony’s plummeting stock will be the sealer of his fate. And as of right now, two of the smartest people he knows can’t come up with anything that doesn’t come at the cost of you or his company. And he can’t live with either. 

Since, both their solutions arguably suck, he tells a lie or lack thereof to find a third opinion. Or a hail mary. However it’s called, it’s a long shot that he can’t be certain won't jeopardize him even more. 

The drive to Hudson Valley is peaceful, to the point he forgets his world is on fire. It’s late, or early, depending on who you ask. Few cars grace the road and he finds solace in the solitude. The radio is ignored for the repetitive rumble of the tires, until paved tar turns into rough gravel. 

When Pepper sent over the address, he wasn’t too surprised. She always rambled about moving out of the city, dreaming of cabins in the woods and sprawling hills. Tony could never wrap his head around living anywhere else. In retrospect, that was another early omen. They never even shared the same dream. 

He can’t say it doesn’t look impressive. A dark a-frame that strikes beautifully against the earthen spruce. Maybe that is why she had him drive all the way out here and not somewhere in the city. Part of masterplan to show him what she presumes he’s missing out on. 

The porch lights flicker on once he parks, and he makes his way up the stone path to find Pepper sitting just outside the door. She’s preoccupied with a thick novel, acknowledging Tony with the raise of a finger. 

It’s strange, being alone with her for the first time in years. She’s not dressed in Valentino but tattered college sweats he had forgotten about. Seeing her at the penthouse all those months ago was troubling, but this was different. Here, it’s too quiet. Even though he’s a few paces away from the table, he can hear the tension of her nails against the pages–the swirl of wind through her hair. Sure, she can’t control the environment but he knows this is a calculated move too. To make him wait, make him uncomfortable. Every other sense sharpens in the absence of constant noise. Norway spruce and duplicity. 

He’s losing his nerve and he needs this over. 

“Why the hell’d you make me drive this far out anyway?” He tries to keep a level voice, knowing she wouldn’t hesitate to use his irritation against him. 

“It’s the one place I’m certain your little spy hasn’t found yet.” she murmurs.

Okay, fine, so he’d used his son to spy on his ex-wife. Big deal, he couldn’t be certain she wasn’t doing the same. Plus, Harley had offered to keep an eye on her. It was a matter of security, not personal (mostly). 

“Can we get on with this?”

“I suppose,” she sighs, tossing the book onto the table. The thud reverberates, stark against the stillness of the valley. “But I’m not sure what it is you want from me–you did call me after all.”

“I did.” And he’s regretting it every second.

“So, what can I do for you?”

“You can start by accepting the deal Murdock sent, and let this be over.” 

Pepper chuckled, crossing her legs. “What are you playing at, Tony?”

“I’m not playing at anything–this needs to be over, you need to move on.”

“Oh please, don’t flatter yourself,” she scoffs, “this is all very rich considering you’ve held me in litigation for months, you rejected my offers over and over, so why the sudden change of heart?”

A cold chill and burning annoyance pull him closer to the table. 

“Yes, because I should just give you forty-five percent of my company–I can get it gift-wrapped too if that makes it all the better.”  

“That’s right, your ego won’t let you admit I’m the only reason you have a company to speak of.”

“Can’t you find an ounce of compassion in that gaping pit you call a soul, for me?”

“Such harsh words from someone who needs something from me.” Pepper smirks and stands once the heat recedes from Tony’s face. 

“Take the twenty percent, finalize the papers, and end this, or else there won’t be anything for either of us.”

She circles the table to stop in his view. Tony wishes he had a time machine.

“Let me guess, someone’s under a little heat.” she muses, voice high and dripping in sugary venom.

“Little is an understatement.” He steps back, hands tight in her pockets.

“And why would I give up my shares to help you?”

“This entire thing started with you, and the second it wasn’t convenient you ran. The least you could fucking do is help me out of it.” Tony snapped. 

“Right, and if I don’t?” 

She still laughs, because it’s all a good game to her. Entertaining to see him against the ropes–desperate enough to reach out to her. For once though, it’s calming. It soothes his anger and reminds him why he agreed to this at all. This time, he had an ace up his sleeve.

“Then I’ll tell just that to whoever needs to know–you know I have the evidence. You’ll go down right alongside me.”

In the quiet solace, for a moment, she’s outplayed. Her smile falters and brows crinkle. Truthfully, as much as he’d love to, he could never sell her out. But she had a terrible tendency of assuming the worst of him, and he was banking on that. 

“Please do, I’m sure they’d love to hear what I know about Obadiah.” 

Oh, so that was her ace.

A soft buzz vibrates his back pocket. He doesn’t need omniscience to know it’s you. He can picture it clearly–you, traipsing around the penthouse looking for signs of life. He knows you hate that feeling, and he hates to cause it. 

There’s a more pressing issue; not giving Pepper the emotional reaction she wants.

“You wouldn’t do that.” Spare words from some forgotten bin. 

“Not if you don’t force my hand.” 

A painful pause ensues. The valley’s fauna recognize the tension, silencing out of respect for the sound of Tony’s plan shattering. A true stalemate. Not what he came for, but his throat swells thinking about the aftermath from a war of attrition. 

He can’t let that get out, above all else. That’d be his dissolution. Stark Industries, everything he worked for would vanish. You, without question. You never see him the same again. The crafted image he sought, the life he was creating with you for you, it’d be wasted effort. 

“What’s it gonna take for you to help me?”

After another migraine-causing conversation, Tony slumps into the driver seat, shoulders heavy and eyelids even heavier. Fifteen minutes have passed since your text, and he wonders if it's better not to answer at all. 

[ everything okay?  ]

[ be home soon ]

Ignore. Deflect. Move on.  

The drive back to the city is less pleasant. Actually, it’s a nightmare that he disassociated through the moment he entered the garage. He was, tragically, fucked. There was no telling if he had the capital to replace whatever Pepper took, and he certainly couldn’t risk everything by going public. And if he didn't give Pepper what she wanted, he might be looking at a depressing future behind bars. And that was not an option. 

So he’s at the mercy of the ginger Judas who put him on the path in the first place. Go figure. There’s self-blame for entertaining this option at all. For not guessing she’d snake her way into the upperhand like always. This wasn’t a beast he could defeat with regular tactician and planning. No, he needed to surprise her–usurp her. Piss her off the way she pissed him off. Go against the grain and act in a way that she couldn't predict. Something she couldn’t maneuver around. 

So, when the mic graced his hands, and the coached words on his marriage, the marriage  he never asked you about. The marriage he couldn’t ask you about because he wasn’t ready either. 

He said fuck it, and did it anyway. 

He knew you would’ve said yes then, so you obviously would answer the same afterwards. Even if you were predictably, and understandably pissed, you loved him, and he intended to use that. Grand gestures were his thing after all. A huge public soiree was more on brand than some private dinner. And, he was Tony Stark. The man who got everything he wanted. Why would your hand be any different? Certainly it fell under the same bracket (and really, an argument could be made that he had your loyalty regardless–this was just a title). 

It was justified in his mind the moment the words hit the mic. It just sounds right– Y/N Stark. Like he should have made it that way a long time ago. For a second, the ceaseless pit of vengeance is taken over by something more. 

It;s even easier to justify when he gets a wave of childlike excitement over it. Imagining the ring on your finger, the life he could have with you. Palm trees and salt waves on a remote coast. No more Stark Industries, no more nightmares about cold federal prisons, just you and him. 

Then, in the crowd, he spots what must be Pepper’s lookout. A short, brayish man stays still while dozen roar in congratulatory apologize. Pepper should’ve coached him better, a clear sore loser in a room full of winners. 

The real reason he’s doing this comes back. Tony makes a quick signal to the guard behind him, and moments later the man is escorted upstairs. He used to hate doing this. But he soon learned that humanity gets you nowhere in this business. Still, he almost tells his team to go easy. Then he remembers the cold look on Pepper’s face at the valley while he plead for mercy like a sad dog. 

Fuck that. The man knew the risks. It’s not Tony’s fault they didn’t play in his favor. 

Out of whatever kindness was left, he makes a note to have his body dumped somewhere nice. 

PART SIX SOON

[takaraphoenix]

Guess I accidentally committed to the bit that Stiles is now a Charmed fan.

It started out with a joke about him comparing Peter to Cole Turner, on account of Evil Lawyers.

But now I have him snarking about there being no magic school he could sign up at to learn about his Spark and due to the fact that I will be caught dead before I ever put an HP referrence into any of my fics again, I was scrambling for another fictional magic school he could bring up.

And then I remembered Headmistress Paige and the magic school she got to run in later seasons.

Stiles is now a Charmed fan. Because the magic school thing is just something that'll keep popping up, it's too obvious a thing to snark about for him.

I also do love the idea of Stiles just really hyping these four magic witch sisters and wanting magic all his life too.

[jeewrites]

Hold Fast | Ch. 7 Coffee & Donuts

Rating: Mature for chapter (Series is Explicit, this blog is 18+ MDNI)

Summary: It's a rainy day and Frankie is bummed about everything going on with his ex-wife Vanessa and the impending change to the custody agreement. You convince Frankie to go with you for some coffee and treats. Reader has a car named Blue.

A/N: Thank you to everyone who's still reading the series! Life things, grief things, a lot happened since the last update, but I am going to see this series through with Sweets and Frankie. (I've actually written the last chapter believe it or not, but I just need to uh, get them there!) Thank you always for being the best beta @bloviating-vy <3

Word Count: 1.5k (it's mostly fluff y'all)

Chapter Tags/Warnings: TF AU, no y/n, fictional description of custody arrangements, aggressive driving, brief mention of wedding/anniversaries/honeymoon, Tom owns a bar called Redfly's, Pope owns a gym, alternating POV

Series Masterlist

<< prev next>>

It seems like everyone has the same idea as you, crowding into the latest ‘it’ coffee shop, a warm beacon on this grey, drizzly day. Scrunched together at a two-top you could see the noise and crowd grating Frankie’s already low mood, despite the six shots of espresso over ice cradled in his hand. He picks at the pain au chocolate you’re sharing.

“You gonna pick out all the chocolate and just leave the pastry for me?” you joke, trying to lighten the mood.

“Sorry,” he mumbles, slouching back into his chair and taking a large gulp of his coffee. It is a damn miracle he is not vibrating out of his seat into another dimensional plane. Six fucking shots of espresso.

“Hey,” you say softly, placing your hands over his. “It’s going to work out. Might be hell for a bit, but we’ll get through it. I'm here for you, okay?”

Frankie perks up at the we. He hadn’t said it in so many words but you could tell the custody change demands from Vanessa were stressing him out on so many fronts. It was frustrating enough strategizing with his lawyer, not to mention his worry about being enough for Gabi, doing a good job as a dad, and the thought of juggling full-time custody along with his job. But also how it would impact your relationship. Despite the reassurances you'd given him that you considered him and Gabi a packaged deal, you knew he still harbored doubts, plagued by insecurity.

When someone jostles you hard enough to nearly spill your coffee, you abruptly stand up. The coffee and pastries are doing shit all to improve his mood, but you still have one trick up your sleeve.

“C’mon, let’s go,” you declare, chucking the half-mangled pastry into the trash. The poor lamination of the dough didn’t make this one worth saving. Frankie slams the rest of his espresso and shuffles towards the door behind you.

Even though you’re driving, Frankie hustles over to open the car door for you before sliding in on the passenger side. You know how defeated he’s feeling when he hadn’t insisted on driving this morning. Frankie always wants to drive.

Frankie quirks an eyebrow at you when leaving the shopping center, turning away from the direction of his house. You just shoot him a cheeky wink as you continue driving in comfortable silence. Trundling along in no particular hurry.

Eventually, you pull into the completely deserted student parking lot at the local high school. Puddles dot occasional parking spots and the air is thick with moisture. It’s no longer raining outside but the clouds hang heavy, occasionally spitting, threatening to pour again. You gently pull to a stop near one corner of the lot and grab your phone. He’s not sure what you’re looking for as you scroll through your music app and the car idles.

You finally look at him with a shy smile as you click your phone back into its holder. “You trust me, Frankie?”

“Umm, as long as you’re not about to murder me and dump my body in the ditch over there, baby,” Frankie responds looking around with hesitant but soft eyes, open to whatever you are trying to do to cheer him up.

“Awesome,” you exclaim, perking up, caffeine pumping through your veins. You flip off the A/C and traction control and hit play on your music app. Classical music starts to build on the car’s stereo system. “Hang on!”

You floor it.

Frankie is pretty sure you threw the car directly into second gear, screaming down the long side of the parking lot before executing a perfect pendulum turn around one of the light poles. Whipping the rear of the car around before accelerating towards the middle of the lot and pulling the e-brake briefly, deftly maneuvering the steering wheel before stomping on the gas. Your car dances with you in beautiful arcing donuts. Exiting the last revolution, you rev the engine, before charging towards another light pole at the far end of the parking lot. The tires squeal as you drift around the light pole and floor it again. Frankie’s gripping the oh-shit bar with his right hand as his left presses into the roof of the car. He can’t even let out a yelp as you punch the gas and the air out of his lungs.

He has enough of his wits about him to count the revolutions in the next set of donuts, an impressive 1440 degrees before power sliding around the perimeter of the parking lot for good measure. It suddenly occurred to him why you had red tape marking the 12 o'clock on your steering wheel. You finally drift the car to a stop in the middle of the lot.

You look over and grin at Frankie, looking far too much like a Benny grin, before asking him, “How ya feeling now, baby?” You reach over to take a sip of your coffee, not a drop spilled in the chaos. You eye him with such innocence as if you didn't just pull the ridiculous stunt you just did.

“Uh…” Frankie lets out a hiccuped laugh, still clutching the grab handle, slowly lowering his left hand from the roof. Adrenaline and caffeine coursing through his body, fizzing and sparking up his esophagus that escapes into a giggle?!? Perhaps six shots of espresso was a bit excessive. He feels a slow smile spread across his face, grinning like a maniac back at you, surprised, amused, touched at your antics to cheer him up.

“Better,” he punches, all air and no menace, trying to hold in more unruly giggles.

“Hmm, that's a no,” you smirk at him before pedaling the gas a few times, looking for any sign he wanted you to stop. When he continues grinning at you, you throw the car in reverse, dancing with the e-brake, clutch, and gas pedal, whipping donuts in reverse, once, twice, before throwing it into first and gunning it to drift figure eights around the light posts. The car slips and slides across the wet pavement, the smell of rubber and rain thick in the air, as you maneuver the car with absolute focus and control.

Frankie’s better prepared this time, enough to appreciate your agility and skill as you work, dance really, with your car. It is sort of like a dance, Vivaldi’s music swirling up and up, crescendoing, as you spin the car faster and faster. He lets out a whoop and you smile, alert eyes on the road, before letting one out yourself. As the song crests and falls, you powerslide the car around a light pole and cruise to a stop, allowing the car to idle, breathing heavily from wrangling all that torque and excitement.

“Better?” You glance at him again, eyes playful and sweet.

He grins wide this time, “Yeah, baby, much better. Always better with you.”

You reach out and slide your warm hand into his, squeezing lightly. “Good.” You pause for a moment before adding quietly, “Thanks for trusting me.”

“You know what would make it even better?” He smirks, dimples dancing, eyes bright again.

“What’s that?”

“Let me drive.”

You jerk your hand back from his and playfully shove him, “FRANCISCO MORALES. Blue is MY baby. Only I get spin her like this.”

Frankie knows better, but he presses you anyway with pouty lips and puppy dog eyes.

“Absolutely not, Morales. Maybe, maaaybe after we’ve celebrated our 5th wedding anniversary, THEN you can drive her.” Your eyes widen in panic at the slip of the word wedding. You hadn’t talked about the M word yet.

Frankie furrows his brows in mock seriousness and he can see your panic rise, worried he may have taken it the wrong way.

“How about after the honeymoon?” he negotiates, his voice like a purr. He knows what he's doing. You release a nervous giggle that sets Frankie off, laughter bubbling up from his throat until you’re both cackling with tears until one of you snorts. It was definitely you.

“First anniversary,” you giggle back, hiccuping and wiping away happy tears.

“Deal.”

You shake on it, but instead of releasing your hand, he pulls you in closer for an espresso-laced kiss.

When he finally pulls back, cupping your chin between his thumb and index finger, your soft eyes search him before asking, “You really feel better?”

“Yeah.” He offers a warm, touched smile. He tilts your chin up to him as he presses one more chaste kiss on your lips.

“Wanna dance one more time before we go home?” You arch one eyebrow, one hand on the steering wheel, one hand on the shifter.

Home.

“Hell yeah,” Frankie grins back at you. He thinks maybe you have an inkling, and know how everything is better in his life when you’re there. He’s already home. You’re his home.

Frankie hits play on your music app. As Vivaldi resumes over the speakers you launch Blue down the parking lot, full throttle, tires screaming, a blue streak of rubber and rain.

End Note: The song Sweets puts on is Vivaldi's Winter from The Four Seasons. She hits the gas at the 0:40 mark.

Example of Pendulum Turn Handbrake Turning in Rally Driving

Taglist is open: @katareyoudrilling @christinamadsen @rebel-held

@littlemisspascal @burntheedges @darkheartgatita

@enretrogue @titabel @copperhalfcent

@triplefrontier-anniversary @iamskyereads

[curator-on-ao3]

Again, cool response to the last question, so I'll let you pick from these options:

And there are things I have fan-fixed in my head to the point that I have to remind myself that the fix-it isn’t part of the actual canon: favourite one of these?

Or

Your/a favourite part of actual canon. Like, maybe something little but it's just so lovely and fitting to you and you're just happy that it exists?

I’ve been a little down on Trek lately, so I’m going to type as fast as I can to brain-dump, in show order, the first things that pop into my mind that I absolutely love in Trek canon:

Kirk calling Nomad his son, the doctor

Christine Chapel’s snark to Roger Korby about schtupping the androids

Mark Leonard’s performance in Balance of Terror

the Horta (a great mama)

“Edith Keeler must die.”

Captain John Christopher, United States Air Force. Serial number 4857932.

Tribbles

the lesson of The Cloud Minders that we must have empathy and listen to others when they tell us about their lived experience in an environment unlike our own

the cheap-ass animation of TAS

Q

Bynars and Minuet

Beverly Crusher’s frustration in Arsenal of Freedom (and the episode’s Good Ship Lollipop joke)

Picard shooting the other version of himself in Time Squared (to clarify: out of respect for those times when we have to stop ourselves from getting caught in loops/doing stupid stuff and we summon up the courage to break a bad cycle and move forward)

K'Ehleyr

Picard out-lawyering the Sheliak

Rachel Garrett; Yar and Castillo

Lal (but I can’t watch the end anymore, it hurts too much)

the Shakespeare and “Set a course for Betazed. Warp 9.” comedy in Ménage a Troi

Best of Both Worlds, I and II (Shelby inclusive)

every conference table discussion in all of TNG

Beverly’s jump in Remember Me (such a damn good episode)

the reveal in Future Imperfect (which one? all of them)

The Dancing Doctor tap dancing with Data

Darmok. And Jalad. At Tenagra.

Ro Laren

Troi saying, “You could have easily been right” to Ro in Disaster

Hugh, Third of Five

the fact that The Next Phase has so many plotholes and they’re forgivable because the episode is so fun and great

Scotty on the holodeck version of the TOS bridge and Picard joining him

Rascals!

Deanna’s “Ancient West” outfit

the Jefferies tube music and make out session in Lessons

Attached. Oh, my heart.

the Enterprise with three nacelles … and that absolutely perfect last shot of the series

“You exist here.”

Sisko’s casual, everyday affection for Jake

“Old Man”

Rejoined. Lenara Khan. The love. That kiss. The emotional stakes. All of it.

the three Ferengi hitting their own heads to try to fix their universal translators so the 20th century Earth military people mimic the movement to try to communicate

every second of Trials and Tribble-ations including Sisko working overtime to stop fuckmaster Dax, tossing the tribbles, Sisko meeting Kirk, “We do not discuss it with outsiders,” and so much more

Kira blaming Bashir for putting the baby inside her when … you know … behind the scenes

The Sons of Mogh helping with the harvest in Children of Time

Far Beyond the Stars — some of the best if not the best science fiction I have ever seen

the monster fakeout (and kindness) in The Sound of Her Voice, even though the end makes me cry

“Computer, erase that entire personal log.”

Solok

Sisko and Kassidy discussing their comfort levels about a simulation in which the reality was segregation

Janeway waterfalling off the sofa to be closer to Mark on the screen

“Warp particles!”

the lizard babies

the two Janeways in Deadlock

Remember (a painfully good Holocaust episode that doesn’t get enough credit and, yes, I know the path the script took and I’m glad it ended up as a B’Elanna episode)

“I don't know what I'm seeking.” “Then I believe you are ready to begin.”

“The child you spoke of, the girl. Her favorite color was red.” Also, Tuvok’s meditation lamp in the window for Kes.

hot damn, Counterpoint, yaaas

everything in Relativity

“The Yankees, in six games.”

Janeway going after Seven in The Voyager Conspiracy

“This is Lieutenant Reginald Barclay at Starfleet Command.” “It's good to hear your voice, Lieutenant. We've been waiting a long time for this moment.” “The feeling is mutual. Unfortunately, the micro-wormhole is collapsing. We have only a few moments.” “Understood. We are transmitting our ship's logs, crew reports, and navigational records to you now.” “Acknowledged. And we're sending you data on some new hyper-subspace technology. We're hoping eventually to use it to keep in regular contact, and we're including some recommended modifications for your comm system.” “We'll implement them as soon as possible.” “There's someone else here who would also like to say something.” “This is Admiral Paris.” “Hello, sir.” “How are your people holding up?” “Very well. They're an exemplary crew, your son included.” “Tell him, tell him I miss him. And I'm proud of him.” “He heard you, Admiral.” “The wormhole is collapsing.” “I want you all to know we're doing everything we can to bring you home.” “We appreciate it, sir. Keep a docking bay open for us.”

“Nice hair.” (Live Fast and Prosper)

Janeway and Jaffen in Workforce

the spot-on legal concerns of Author, Author

“Set a course. For home.”

(Nothing from Enterprise or Prodigy only because I haven’t watched enough of Enterprise or any of Prodigy)

Burnham and Georgiou forming the delta with their footsteps

the CGI on only the shields protecting Burnham from space

“Are we in session? Because I didn't know you were practicing again. Because if I have your undivided attention for fifty minutes, I can think of a whole bunch of other things we could be doing.”

“That's as depressing a trait as I've ever heard.” “I don't give a damn … I still don't give a damn.”

Cornwell beaming in, phaser aimed, taking command of Discovery

Cornwell phasering the fortune cookies

Cornwell’s voice breaking: “So my Gabriel is dead.”

Detmer’s little bounce when Emperor-as-Captain Georgiou takes command

Pike beaming aboard and instantly being all like MOJAVE to prove to the audience he’s the guy from The Cage

New Eden. Everything. Oh my God (pun intended). The visuals. Owo’s backstory. Pollard patching Pike up after he’s shot. The light at the end. Oh my God, yes. That episode. Yes.

Number freaking One beaming aboard and having her lunch briefing with Pike (Chris and Una’s decades-long friendship wasn’t canon yet, but it shows here so beautifully)

Gabrielle Burnham

“In case the shit hit the fan.”

Michael Burnham on truth serum

Book

Laira Rillak, everyone!

Q&A

season 1 Raffi Musiker

Fleet Admiral and Commander-in-Chief Kirsten Clancy

“You owe me a ship, Picard.”

“You need a feather in your hat.”

Riker greeting Picard

Hugh greeting Picard

the separate trio of Raffi, Clancy, and Deanna all telling Picard he’s shit

Rios singing in Spanish

President Annika Hansen

everybody finding each other in the Confederation Universe

Liam Shaw — a character with incredible highs and lows

Majel Barrett as the computer voice when the crew gets to the Enterprise D

“Somehow I figured you might.”

everything in Ghosts of Illyria

Spock and La’an’s mind meld

Spock and T’Pring in Spock Amok

“You cannot resign. The loss to Enterprise would be unimaginable. To me.”

“If you’re going to steal a starship, do it correctly.”

Neera Ketoul

La’an normalizing needing to eat all the time as a teenager (especially important for girls to hear)

Pike and Una visually checking in with each other so often that it’s in their cartoon versions (that whole episode, actually, including, “Riker!”)

That’s scrolling through episode titles and jotting down stuff I love off the top of my head, fam.✨

Thank you so much for this ask, anon! ❤️ I needed this positive energy in my life.

[sunflowersolace]

i feel like we as a fandom tend to either over uwuify klapollo or over stoicify them and this is by no means a real character analysis or genuine conversation because it is 4am for me and i’m not very good at articulating myself i don’t actually care that much i’m in fandom spaces i’m used to mischaracterising bullshit but

why does it seem to be the only options are “apollo is an actual child and klavier is sexy and suave” or “apollo doesn’t experience emotions and klavier is a cringefail babygirl”. like genuinely can they not both be people.

i feel like a lot of the infantilisng apollo stuff is partially the usual fandom short man = yaoi bottom shit but i’m not gonna sit here and pretend it isn’t also bc of the transmasc apollo headcanon. like it can’t be a coincidence that the most infantilised grown man in the game is also the one that’s most widely headcanoned as ftm. like it feels like a lot of it is your typical uwu short trans uke baby x big strong suave tall hot cis seme and i’m used to that but man it sucks to see people making weird shit about Flustered Virgin apollo getting his first ever kiss from Playboy klavier and. y’all know he’s 25 right? not 15?

there’s also the other side of things where people make klavier into this cringefail babygirl boyfailure who’s hopelessly in love with apollo and spends every waking moment thinking about apollo and can’t do anything without relating it to apollo and apollo just fucking does not like him. and that’s almost worse because at least the first kind of mischaracterisation still feels like a ship. why are we pretending apollo doesn’t care about klavier. he doesn’t like his boy band music but it’s not personal. he still likes klavier.

and then there’s the ones who take one half of the mischaracterising and applies it to both characters. apollo is an uwu baby and klavier is a soyboy and they can’t spend a second apart because they’re so in love. OR they’re both robots who might as well not even be dating with how little they speak to each other.

y’all know you can make them act normal, right? they can be in love with each other and silly about it and also be serious characters? apollo is a dork ass who cracks jokes and is bitchy but he’s also a genuinely smart guy like he’s a lawyer he’s a politician he’s helping rebuild a whole country’s legal system from the ground up and he’s still a bitch and a loser. klavier is ALSO a bitch and a loser and a smart guy. he’s kind, but he’s not a wimp. he’s bitchy but he’s not insufferable. he’s passionate about music and law and everything he talks about. and he says corny shit and openly flirts with apollo but he’s also a damn good prosecutor and id argue he’s the only one who actually understands his job without the defense having to Fix Him tm. and they can both love each other and be all these things.

for a lot of y’all there’s only two options: klavier has trauma (excruciating) (all encompassing) or klavier is silly :3. and like. he can do both. you can acknowledge his trauma and also acknowledge he’s a dumbass who air guitars during court. human beings are multifaceted and fictional characters should reflect that. you gotta make the people you’re writing feel like people yes even the japanese visual novel people.

back to the living each other thing. klavier can openly flirt with apollo and also actually like him. apollo can ignore klavier’s first flirts and still actually like him. maybe he doesn’t wanna get it with the brother of his murderous boss while investigating a crime scene i think that’s reasonable of him. but he also clearly likes and cares about klavier as a person (“i have to pull the darkness out of him” or whatever he says) so just because he didn’t immediately throw himself at klavier the second he hit him with the never felt this way with a man doesn’t mean he’s annoyed by klavier’s flirting it just means it wasn’t the right time. apollo can hate the gavineers shitty music and still love the man who sung it. he can think klavier’s office is ugly and still love him. i don’t love every single thing about the people i love but i still love them. if my qpp made a dog shit song i hated i would tell him bc he and i understand each other.

[vonlipvig]

so i finished reading exposure: poisoned water, corporate greed, and one lawyer's twenty-year battle against dupont

ok but jokes aside, this was such an amazing read. i honestly had no idea about any of this before i watched the movie dark waters, and after i finished it i was so dumbfounded by the whole situation that i just had to know more, so i dived right into rob bilott's memoir, and it was so worth it. it goes into a lot of detail into all the work that went into that investigation and lawsuits (and good god it makes me even more mad to read how negligent and downright evil a corporation can get in the pursuit of profit), and of course it's fantastic to read it all in bilott's own words. he seems like such a hardworking, inspiring guy, i have so much respect for him.

but yeah. great read, definitely reccommend it if you're looking for some good non-fiction (or watch the movie if that's more your thing, i bet you're going to want to know more afterward!).

[peachdues]

So does that mean that all fan merch is in a sense illegal? Kinda sucks that we technically can’t do commissions involving an established character :/ would you (as more of a buddy rather than an attorney, if you’re okay with answering) recommend for artists to stop doing commissions involving existing characters?

(Also thank you for your replies:) it’s an interesting subject)

As a friend and not a lawyer, this is a loaded question.

In short — it depends (the most lawyer answer ever lmao). There are doctrines that come into play that protect certain kinds of merch though to be clear, you can still be sued/fined for not having obtained proper licensing. In theory, you can always be sued at any time.

The issue with fan fiction and fan art — particularly that which involves manga and anime — is that it doesn’t quite fall under any of the carved exceptions under copyright law. It’s not transformative because the thing being copied is a character drawing (manga/anime) or use of the characters in a story (manga). It’s not quite fair use either. DONT get me started on doujinishis of manga/anime that get put behind paywalls oh my GOD And, there’s a whole other host of problems that arise once that stuff is published online (DMCA territory).

The reason there isn’t a lot of case law about this stuff is because (1) case law is slow to develop and (2) even some of these exceptions are relatively recent doctrines in copyright law. The courts haven’t yet had the opportunity to flesh them out. That doesn’t mean they won’t.

Make no mistake — it’s coming (“it” being a huge challenge to fan fiction and its dissemination). Especially with how BOLD people are being with printing/binding and selling fan fiction and promoting it on platforms like Etsy (and advertising on TikTok) — it’s bringing a LOT of attention to fanfiction and the threat it poses to the security of the IP it’s based on.

Many of your favorite creators — authors, showrunners, animators, etc. — do not like fanfiction. The more people start trying to get others to pay for that content, the more incentive they have to prosecute it, and they will. They are.

I’m not here to tell you what or what not to do, ultimately, but I can warn you of the truth potential consequences. I understand that people take their craft seriously and want to be rewarded for their labor — but you cannot do that using someone else’s work and then profit off it. Copyright law is no joke.

[firecrackerhh]

Honestly I really think the fact that Andre is canonically gay makes all the “you’re so lucky you’re hot Stella” and similar jokes way less incesty than antis want to claim.

He doesn’t say all that shit about his sister cuz he wants to actually fuck her alright? He says all that shit because he likes constantly reminding her of how useless she is otherwise.

“You’re so LUCKY you have your beauty cuz otherwise you’re fucking WORTHLESS.” Is basically what he’s saying.

And tbh I imagine all that shit he said at the trial, the reason why he laid it on so fucking thick, is to confirm the biases of said court. Clearly they don’t really care about Stella in any capacity, being the SISTER of a Goetia and marrying one doesn’t mean anything, she doesn’t DO anything. Constantly pointing out her beauty, trying to frame Stella as a poor defenseless victim, that’s what Andre was there to do.

“This poor beautifully attractive women (since that is the role she was raised to have) was a victim of her husband’s bullshit and blah blah blah”

Andre was practically her lawyer in that scene, were he anyone else, constantly pointing out her beauty wouldn’t look as weird to us.

I dunno. I just get tired of retarded bitches whining about it. Andre defended Stella cuz he had more sway in court than she ever could. He brings up her beauty constantly cuz that’s literally the only thing she was raised for. He brings it up in court to help Stella look more like a helpless victim. “This poor beautiful lost soul” kinda shit. Maybe he lays it on way too thick but that’s his intention.

There’s also the whole “he’s acting this way to compensate for his own gayness” which is funny sure, and I think that’s a valid interpretation, but it seems on the rare occasion I’m capable of truly analyzing media on a deeper level beyond “I liked that” I overthink it. Lmao.

It’s not that difficult to fucking understand. You’re just a fucking baby who shouldn’t be allowed internet access if you cry like a bitch this much over fictional shit.

[literaticat]

So I recently saw a book announcement where the plot is about the history & life of a real famous person (as in not fictional) but it's written by a fan and doesn't involve the famous person at all. I'm just curious - can anyone publish books about famous people? Cant they sue also because it's based on them? Or is there really no legal implications? This is pubbed by a big publisher.

THIS IS NOT LEGAL ADVICE I AM NOT YOUR LAWYER I AM NOT A LAWYER AT ALL. If you have concerns about this, please take them to an actual lawyer.

Generally speaking: You can write a biography / history / book about a famous person/celebrity, politician, business entity, etc.

They (or their estate) COULD sue if what you wrote is libel / defamation -- but they would probably have to prove in court that not only is what you wrote false, but that it is reputation/business damaging, AND that you acted maliciously in writing the lies.

If you aren't lying, and you didn't break any laws in gaining the info you have, they don't really have grounds to sue. Here's some more info.

When I say "lies" here, btw, I mean ACTUAL LIES, stating something is a fact when it is not a fact -- that's not the same thing as stating your opinion, even if it is negative.

"Trump seems like the kind of guy who kicks dogs" is my opinion, and it doesn't matter if I publish that or shout it from the rooftops, he really can't do shit about it (unless he changes the laws lol, which, hey, maybe he'll get around to doing!)

"Trump came to my house and kicked my dog" is a lie. That, he could probably sue me for, if he cared, and he might very well win, unless I was obviously telling a joke or something like that.

If I did an interview with a trusted source who had a first-hand eyewitness account of dog-kicking, I'd probably want to fact check them in some way and get confirmation -- but if I published "according to [source], Trump kicked a dog while visiting Arlington Cemetary" -- and it turns out the incident is a little more nuanced than that / not quite right, hey, I'm just publishing what somebody said and I have reason to believe, he could (and probably would) TRY to sue, but it'd be hard to prove malicious intent, and he probably wouldn't win.

If I illegally wire-tapped Trump and overheard him talk about kicking dogs, well, I did something illegal to gain that info, soooo....

[1960z]

so the rite of turnabout! I honestly really enjoyed it. imo it does a lot of things that make it feel super fresh and unique as a case.

I genuinely can’t think of a time in the main series that there’s been a double murder before, so being able to play that out felt new and fun. also with all the jokes there are out there about maya never using her powers to channel a victim in a case, it felt cool to finally have a set of circumstances where we got to experience a victim’s testimony through channeling. honestly most if not all aa cases that feature spirit channeling as a major part of the case itself go super hard imo.

getting a guilty verdict on the first day is genuinely kinda shocking when it happens too, it was a good twist on the formula of “first investigation first trial second investigation second trial” because ultimately it still is that but the feeling of the experience is still different due to there being a seemingly definite conclusion to the first trial as well as a second murder.

I also love how this case is… kind of a political drama?? I find the world of khura’in genuinely super interesting and getting to uncover more and more of who holds power, who’s fighting against it and why is genuinely really compelling to me. on paper I do think this idea of a fictional world run by a police state that’s using its religion to justify the most extreme measures of punitive justice very interesting. like if it were some kind of dystopian sci-fi world? khura’in would fuck. however it’s not a dystopian sci-fi world however and there are obviously a lot of issues w the real world political implications of khura’in which I intend to talk more about when I finish the game but for now I do think the very bare bones of “let’s create a fictional world to set an ace attorney game in” IS quite fun, PLvsPW did something similar and I haven’t played that game in ages either but I do really remember enjoying it there too.

having maya back is of course a delight I missed her so much. they definitely did a very great job at making her feel older and yet still like she’s the same character. her off screen progression feels very natural. love having rayfa as an assistant character too. she has a really fun rapport with phoenix and seeing her internal conflict of trying to reconcile who he is with what she was taught to believe about lawyers her whole life is also genuinely compelling

[infini-tree]

hm. ppu headcanon time

ppu!george was actually put up a grade when he was put into jhes but was uncomfortable about it the whole time causing him to be a bit more withdrawn. his time in that class was short lived as an as-of-yet indeterminate drastic event happened and he was booted to kindergarten-- it probably involved harold defending him and ppu!kipper (who'd be a bit like a tattletale like main!melvin)

ppu!harold's whole deal stemmed from his rough home life and his parents’ divorce. his general disdain for adults/authority was a defense mechanism against his dad, but the way he could hypnotize krupp into blunder without regrets is based on things internalized because of his dad. 

the way i see the latter happening is that on some level his dad tried to project onto harold to be more like him. while it didn't work, harold did internalize that sort of power dynamic and its echoed back with the boys’ and blunder’s dynamic

ppu!melvin is so chill. unlike his mainverse counterpart, he doesn’t stress about academic achievements so he’s coasting through life. as an aside, due to aforementioned views, there couldn’t be a melvinborg situation with him. a little goofy, but may be the most emotionally intelligent in comparison to the rest of the cast (which is a pretty low bar considering everyone else’s issues). hes got a lot of stuff going on in his head, less in a genius way but more in a cloudcuckoolander/bunny eared lawyer way

i’ve joked in chats that he’s has perrito from pib: the last wish vibes

ppu!krupp trades his mainverse’s fight instinct and quick temper for an attempt to placate and be a doormat to be in other’s good graces. both stem from a need for control, but they go about it in completely different ways, and both have similar emotional constipation problems. its just that in ppu!krupp’s case, he can’t be vulnerable in showing his frustration, instead feeling that he has to keep up this image of this perfect (not angry, always positive) principal

blunder... if you’ve seen the exploratory comics and the posts i’ve made for him in regards to how i think a ppu sticky notes au concept would go, with his personhood arc taking a wild turn after a certain point. its less the fact that he finds out he’s fictional that brings distress-- after all, the boys treated him like he’s only useful as a tool for their ends-- its that there were previous versions of him from his last resets he doesn’t (and can’t!) know about and how he’s constantly propped up and compared to them, even by those he’s supposed to trust

[www-strawberry1-0]

Hello, hello! nice to meet you little person. Below I will leave my introduction in English :³

About me:

My pronouns are: he/she/they + any pronoun!

Birthday: May 9

MBTI: Infp - T

Sexuality/s: demiaroce + pan

Nationality: Argentina

Languages: ESP/ING

໒꒰ྀི´ ˘ ` ꒱ྀིა BYF!! 

—I am a person who likes to interact with other people. (Although, depending on how things go, I will gain confidence) —I don't consider myself very active in some circumstances, but I do my best to make it that way. —He often published things in my native language. —Sometimes I tell very bad jokes, for example: what does one fish say to another? Nothing HAHAHA

—You should also inform that at times I take time to reflect a little and take some time alone. —We can talk about whatever you want in private. (without disobeying the rules pls)

RULES !!

—I have a partner, so I would very much appreciate it if you don't cross the limits. (Any message that contains other types of interaction with other intentions will be deleted and blocked)

—Sometimes I can take things personally, and I need it explained to me calmly.

—He didn't understand some things well, such as sarcasm, hints, among others.

—Messages of hate, discrimination, or bullying will not be tolerated. That's all, thanks for reading it.

( ≧ᗜ≦) I love it !!

My favorite colors are pastels,especially the yellow one, black and white. Play video games like Roblox (I really like to escape from the facilities), Fall guys, Minecraft, Pony Town, among others.

Hobbies!

I really like to draw, and paint with oil crayons or pencils. Listen to music, although I must say that my favorite so far is Immortals, here is the link in case you want to listen to it. I also really like watching series, animations, Ghibli drawings, and among other cartoons. Like some anime and K-Dramas.

animated series:

 Big ​​Hero 6, The Owl House, My Little Ponny, Polly Pocket, Steven Universe, Adventure Time, Teen Titans among others.

Ghibli cartoons: Ponyo, My Neighbor Totoro, Kiki Home Deliveries.Animes: SK8 The Infinity, Promised Neverland, Blue Lock, Bungou Stray Dogs.

K-dramas: A Love So Beautiful, King The Lang, Goo - an extraordinary lawyer, etc.

( -_•)︻デ═一 DNI!!

—Homophobes.

—Transphobic.

—Fatphobes.

—Racists.

—Nazis.

—Zoophiles.

—Misogyny.

—People who support or defend pedophilia and/or incest.

—You think fiction doesn't also affect reality.

—You support hateful and/or negative behavior

( •̀ - •́ ) I hate It!!

Conceited people, who do not respect tastes, judge other people's bodies or make any type of offensive and unmoral comment. Comshipers and proshipers.

( ˶ˆᗜˆ˵ ) Favorite youtubers !

—Robleis.

—Carreraa.

—Spreen.

Here are my other social networks! :b

For the next example, in the sexuality section. I need to clarify that demisexuality is the degree of attraction that I feel. (Only for one person) to which, I also identify as a gender fluid person, and pansexual.

In case you are interested in knowing, the sweet things that I like the most at the moment are: Moguls Extreme Rocks, sour gummies, or even chewy and soft candies or candies such as Flynn Paff, or other types of sweet things.

Examples:

Some of my musical tastes generally tend to be songs that produce happiness, are moved to dance, (although I don't do it much) or also to some degrees, depending on my mood, nostalgic and among other types.

My singers and/or musical groups favorite are:

—Aurora.

—LP.

—Ichiko Aoba.

—Cigarettes After Sex.

—Arctic Monkeys.

—Lisa Ono.

—Ricky Montgomery.

—Jack Stauber.

—Michael Jackson.

—Robleis Music.

—Miranda!

—Gorillaz.

—Melanie Martinez.

—Taylor Swift.

—Mon Laferte.

—Gilda.

—Selena.

—Queen.

—Atarashii Gakko

—Odetari.

—Lady Gaga.

—El Cuarteto De Nos.

And more!

The things that usually bother or displease me are few, but I will include those that at the moment I feel are necessary to add, in case you want to get to know me better.

—The sounds of horns, beeps, loud whistles, or people shouting usually upset me a little.

—I don't usually like things that have a raw consistency, for example: in food, in cases of roasts or meats, I feel that they have to be burned at the exact point, or that red or undercooked areas cannot be shown. The same thing happens with the nerves or veins of the same flesh.

—Places with a lot of people talking, or in awkward silence. (Regarding people talking, I have nothing against it, I just don't like the moments where they tend to raise their voice, or that may be on purpose)

(Btw, my English is not very good, I wrote this in Google Translate, My main language is Spanish, that means I am Hispanic, I am very sorry if I ever make a mistake)

That's all, thanks for making it this far, have a star for your great effort every day. ⸜(｡˃ ᵕ ˂ )⸝★

[bdzonthareel]

Barbie

When I first heard about a Barbie movie, I like many people rolled their eyes at the very thought of it. Barbie media has often (at times unfairly) lambasted for being a cash grab and that was my initial reaction, however we I heard that Margot Robbie was involved and her production company was fitting the bill, my interest was piqued. So without further ado, (and I never thought I would ever say these words) let’s talk about Barbie!

We’re introduced to the fictional world of Barbieland, where every concept of Barbie exists and lives in perfect harmony with a respective Ken, and Allan (there’s only one of him.) But the harmony is disrupted when Robbie’s Stereotypical Barbie begins to suffer from an existential crisis and in order for her to fix what’s wrong she must go to the real world and meet the girl who is playing with her and figure out what’s wrong.

In all genres of entertainment, comedy is one of those that I am insanely harsh on, as comedian myself I feel like there should be a flow to long form story, especially in comedy. But I can say that Director and co-screenwriter Greta Gerwig created a work that was heartfelt and hilarious in this film.

The cinematography is nothing short of brilliant, lots and lots of pink paint was used to bring Barbieland to life and it felt like one massive play set. And the various Real World shots were not to be out done giving off a stark contrast to each other.

The soundtrack was a delightful mix of classic top 40s, newer hits and self-aware comedic songs. The score was equally light poppy and fun, composers (pop music legend) Mark Ronson and Andrew Wyatt brought an amazing upbeat energy to this film.

Co-writer Noah Baumbach, helped with some very well-timed jokes, and you know they worked because they triggered a metric ton of incels, and that alone was worth the price of admission. Together with Gerwig, I was throughly impressed with the amount of meta commentary on display, and despite what some might lead you to believe, the film doesn’t demonize men; the film’s message is far more complex than that. I also appreciate the fact that they made the movie about the titular character, with seems to be something that franchises like Transformers can’t seem to get right.

And the performances were hilariously well done, Margot Robbie and Ryan Gossling have great chemistry as they lampoon the ideas of these characters’ roles. Simu Liu, is amazing versatile and brings the same amazing timing that he brought to Kim’s Convenience and it was delightful. Although my favorite Barbies were Issa Rei as President Barbie and Sharon Rooney as Lawyer Barbie. And I would be remised to ignore Hari Nef whose Doctor Barbie was whimsical and charming, Also since I’m madly in love with Alexandra Shipp I can say that she another of my favorite parts. America Ferreira and Ariana Greenblat served as great moral support for the various inhabitants of Barbieland and then there Will Ferrell I was almost convinced was Ken at one point given his goofball behavior. I also enjoyed seeing Rhea Pearlman as one (spoilers), she just gets better with age. Kate McKinnon really went all in as Weird Barbie as did Michael Cera as Allan (easily my favorite character in the film.) And last but certainly NOT least, Dame Hellen Mirren as the narrator brought a nice touch of her

Barbie was more than what I and many others initially expected, it was packaged as a goofball fish-out-of-water comedy which is a tired cliché in its own right, I sat down on this for a good while before writing this and I feel like its one of the best comedies I have seen in a very long time. It was very funny, but it also had a lot to say about growing up, holding on to thing that we love, and letting go of them. The biggest message that we all have to find our own way, because we are all more than just an idea and life doesn’t exist in just a straight line and at the end of the day isn’t that what it means to be human?

I give Barbie a well-deserved, 5 out of 5.